Manual Science, Technology And Culture (Issues in Cultural and Media Studies)

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His award-winning publications in the history of science include studies of biotechnology and scientific instruments. Whitehead to Wyndham Lewis and D. James and Robert Bud Select bibliography Index.

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Journal of Urban Cultural Studies (Journal)

Download free. Share: Tweet. Canonical histories of art fail to sufficiently address the inter-relatedness of develop-ments in science, technology, and art. What similarities and differences, continuities and discontinuities, can be mapped onto artistic uses of technology and the role of artists in shaping technology throughout the history of art?

This panel seeks to take account of extant literature on this history in order to establish foundations for further research and to gain perspective on its place with respect to larger historiographical concerns. Anthony Kiendl: Greeting. Accessing and browsing the immense amount of data produced by individuals, institutions, and archives has become a key question to our information society.

In which way can new scientific tools of structuring and visualizing data provide new contexts and enhance our understanding of semantics? The dividing lines between art products and consumer products have been disappearing more and more since the Pop Art of the s.

Media Art History » Refresh! original program

The distinction between artist and recipient has also become blurred. Most recently, the digitalization of our society has sped up this process enormously. In principle, more and more artworks are no longer bound to a specific place and can be further developed relatively freely.

The cut-and-paste principle has become an essential characteristic of contemporary culture production. The spread of access to the computer and the internet gives more people the possibility to participate in this production. The panel examines concrete forms, as for example computer games, determining the cultural context and what consequences they could have for the understanding of art in the 21st century.

Technological Cultures of Sound

Poster Session pm — pm. Experts of the field will be invited to present their research visually. In a large space at the Banff New Media Institute every presenter will have his own poster board space. During the presentation, the presenter remains at the display board to answer questions and discuss the contents of the display.

Presenters :. Session X: Cross-Disciplinary research methods.

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Ironically, this pressure has been around for a very long time. This session invites papers, which examine the return of old media, thick in their natural habitat of the discourses, practices and institutions of the arts, entertainment,. Keynote pm — pm, Max Bell Aud. Introduction: Sara Diamond. In a network people are working together, they share resources and knowledge with each other — and they compete with each other. It is the computer who had and has a forming influence on this change — from the Mainframes of the 50s and 60s to the PCs of the 70s and the growing popularity of the Internet during the 90s of the past century.

The dataflow created new economies and new forms of human communication — and last but not least the so-called globalization. Chair: Linda Henderson. Science and technology have been an important part of that cultural field in the twentieth century, and the history of science and science studies-along with the field of literature and science—offer important lessons for art historians writing the history of new media art. This session invites papers from art historians and scholars in science-related disciplines which explore methodological and theoretical issues as well as those that put interdisciplinary approaches into practice in studying new media art.

Chair: Karin Bruns.

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  5. Programme outline.